Decision: Spring 2008

I'll be making a documentary film about St. Louis taxi drivers as a study of transnational subjectivity and mobility, trying to examine immigration and transnationalism as a circular or perpetual experience (like driving a taxi) rather than the more conventional, conservative view of immigration as moving from unidirectionally from point A to point B. We'll see how that goes. Hopefully I'll get in with some driver networks fairly quickly, people who will let me ride along and film interviews while they drive. If not, I'll have to come up with an alternative strategy or else face lots and lots of taxi fares. That won't work. But I have a feeling that some of these guys (and they are mostly guys) are networked with each other, and one relationship will lead to others. Let's hope.
Project #2 is a more traditional seminar paper. I'll be taking a look at the book that resulted from the photo exhibit, here is new york, which opened shortly after September 11, 2001 and is a collection of photographs before, during, and after that day's events in NYC. They were taken by both professional and amateur photographers and represent about a fifth (1,000) of the 5,000 photographs that were originally exhibited in various locales. I'll be developing my visual culture chops, trying to become more fluent with a visual culture methodology while analyzing the content, themes, exceptions, and inclusions of the exhibit. At this point, I'm considering this: why there weren't more photographs of the dead and dying?
If the point of the exhibit was to make the attacks more real, less mediated, and the tragedy we're talking about is the loss of more than 3,000 lives, why are those lives so absent?
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